"A war they would like to be realize through that it is not possible to play with this with a total death sight caused by. Than the primitive folk the reading their song, I try to ward it off in such a way with this film that I die, we die. I want the opportunity of an extended life to hypnotize into the spectator... I would like to ward the death off with it, that I have it understood. We have to put the fact that we die into universal contexts. We have to examine the contact of the personal existence and the history, the intertwining of little and big fates, the encounter of lives and tragedies in his endless projection." (Huszárik Zoltán)

70-year-old man Seong Taek convinces the neighborhood for redevelopment into a fancy new apartment complex so that he has something to leave for his daughter and granddaughter. But the day before he is to move so that they start construction, something unbelievable happens to his granddaughter.

70-year-old man Seong Taek convinces the neighborhood for redevelopment into a fancy new apartment complex so that he has something to leave for his daughter and granddaughter. But the day before he is to move so that they start construction, something unbelievable happens to his granddaughter.

Jayakrishna is a dark-skinned guy who falls head over heels on Deepu but keeps his feelings to himself. As time passes by, a gang in his college beats him up and this issue brings Deepu closer to him. Slowly the friendship turns into love and this does not go well with Deepu’s brother Rama Raju. The rest of the story is as to how the couple reunites after facing several problems.

Tron director and Legacy producer Steven Lisberger and his son, Carl, visit the Disney archives to dig through the concept art and materials the studio saved from the original Tron.

存档录像

A gifted writer who's the youngest editor-in-chief ever at his publishing company gets enmeshed in the life of a former copywriter desperate for a job.